| Hyæna | ||||
|---|---|---|---|---|
| Studio album by Siouxsie and the Banshees | ||||
| Released | 8 June 1984 | |||
| Recorded | 1984 | |||
| Genre | Post-punk, gothic rock | |||
| Length | 44:15 | |||
| Label | Polydor (UK) Geffen, Warner Bros. (USA) |
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| Producer | Siouxsie and the Banshees, Mike Hedges | |||
| Siouxsie and the Banshees chronology | ||||
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| Singles from Hyæna | ||||
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Hyæna is the sixth studio album by English post-punk band Siouxsie and the Banshees, released in 1984. It was re-issued, remastered, and expanded in 2009. In the United States, Hyæna was the first Banshees album to be released on a major label – Geffen Records (now sister label to their then-UK label, Polydor).
Prior to the release of the album, "Dear Prudence" became the band's biggest hit in the UK, reaching number 3 in September of the previous year.[1] The song was intended to be a stand-alone single in Europe and as it was not issued in North America, it later only appeared on the American version of Hyæna.
It is the only record guitarist Robert Smith of The Cure composed and recorded with the Banshees.
Contents |
The album received mixed reviews upon release but Melody Maker, however, wrote:
| “ | "Parts of it are so wistfully carefree that it's impossible not to credit Robert Smith as the talisman - his irreverence seems to course through everything.
"Take Me Back" is the Banshees rollicking like some primitive jazz combo drunk on the Good Lord's wine. On "Belladonna", Smith's liquid guitar relaxes Sioux to the extent that she drops a few masks to reveal her vulnerability. When the siren sings "daylight devours your unguarded hours", she's illuminating her own predicament so acutely it surely can't be coincidence. "Dazzle", too, is naively daring: Siouxsie's voice, framed alone against the firmament of strings. It could be Lloyd Webber's Cats or something by Vaughn Williams. You can get impressed, wrapped up and lost in this.[2] |
” |
Retrospectively, Stephen Cook gave a four and a half star rating to Hyæna and wrote :
| “ | "the emphasis here is on layered arrangements and pop tunes disguised as art-house production numbers ("Dazzle"); tasteful horn and keyboard parts expand the group's guitar-dominated sound and provide Siouxsie with an airy and dreamlike backdrop in which to fully display her considerable vocal talents." | ” |
All music composed by Siouxsie and the Banshees.
| No. | Title | Lyrics | Length |
|---|---|---|---|
| 1. | "Dazzle" | Sioux | 5:30 |
| 2. | "We Hunger" | Sioux | 3:31 |
| 3. | "Take Me Back" | Sioux | 3:03 |
| 4. | "Belladonna" | Severin | 4:30 |
| 5. | "Swimming Horses" | Sioux, Smith | 4:06 |
| 6. | "Bring Me the Head of the Preacher Man" | Severin | 4:06 |
| 7. | "Running Town" | Sioux | 4:04 |
| 8. | "Pointing Bone" | Severin | 3:49 |
| 9. | "Blow the House Down" | Sioux | 6:59 |
| 1984 US version | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| No. | Title | Length | |||||||
| 1. | "Dazzle" | ||||||||
| 2. | "We Hunger" | ||||||||
| 3. | "Take Me Back" | ||||||||
| 4. | "Belladonna" | ||||||||
| 5. | "Swimming Horses" | ||||||||
| 6. | "Dear Prudence" | ||||||||
| 7. | "Bring Me the Head of the Preacher Man" | ||||||||
| 8. | "Running Town" | ||||||||
| 9. | "Pointing Bone" | ||||||||
| 10. | "Blow the House Down" | ||||||||
| 2009 remastered issue bonus tracks | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| No. | Title | Length | |||||||
| 11. | "Dear Prudence" | ||||||||
| 12. | "Dazzle (Glamour Mix)" | ||||||||
| 13. | "Baby Piano (Part One - Unreleased Track)" | ||||||||
| 14. | "Baby Piano (Part Two - Unreleased Track)" | ||||||||
The two "Baby Piano" tracks are, respectively, a short piano demo of "Dazzle" and the string backing to the album version of the song.